The Writer at Work — Edward Hoagland on What an Essay Is
We learn little more about Amy, whom Hoagland married in his late twenties and left--he now suspects for no good reason--four years later, a move he concludes was "good for my writing but bad for my soul." In his mid thirties he married Marion Magid, a "formidably well read" editor and translator from the Yiddish at Commentary. Marion introduced her "shabby-Ivy" WASP husband to New York's community of Jewish intellectuals, helped him become an accomplished essayist, and published him in her magazine. A daughter, Molly, was soon born, and together the new family bought a down-at-heels house (spring water, no electricity) and 40 acres near Barton, in Vermont's Northeast Kingdom, which has now been Hoagland's seasonal alternative to the City and rich source of warty essay material--garter-snake colonies, hippie communes, domestic violence, county fairs--for more than 30 years.
Inevitably the first and most engaging effect of Edward Hoagland's two new books [ and ] is to draw our interest to the writer himself. Despite his rooted WASP belief that "personality is quarrelsomeness," his personality, or rather his character, emerges and we're glad. Our estimation of it becomes essential to our appreciation of his work. One thing his admirers like most about his writing is his quite distinctive combination of subjectivity and authority. (p. 30)
Edward Hoagland Hoagland, Edward - Essay - …
MLA format and works cited page. Use atleast 4 sources outside the text. Relate one of the selections story we read (from selection I chose the short story called “On Stuttering by Edward Hoagland. I am sending the link attached to this instruction). From the different 4 sources you find; between each one of these 4 sources connect it to the short story “On Stuttering”.
Edward Hoagland: American novelist, travel writer, and essayist, noted especially for his writings about nature and wildlifeA few years ago, when he was in his late 50s, noted nature writer and essayist Edward Hoagland went blind. For Hoagland, whose work relied on the close study of plants and animals as well as on documentary research, the loss was staggering; as he writes in one of the essays collected in , he contemplated suicide after falling victim to near-constant depression. Before he could act, however, an enterprising surgeon restored his sight, and, as Hoagland writes, "In the exalting aftermath of regaining my eyesight, I was incapable of being depressed." His essays--recounting natural-history travel to far-off places like Antarctica, backyard adventures in bird-watching, and explorations within his soul--reflect a change of sensibility: now in his 60s, he finds himself "more moderate, gentler in judgment, less self-conscious, though quite cranky." That self-avowed crankiness shows up seldom in this book, which is instead shot through with the joy of being alive in the world, natural and human, and with great affection. "If 'biology is chemistry with history,' as somebody has written," Hoagland avers, "then nature writing is biology with love." His enthusiasm is contagious, and the result is a hopeful book that, as with all Hoagland's work, is beautifully thought-out and written.
Edward Hoagland in his essay “On Stuttering,” describes the difficulties he faced in his life because of a stuttering problemEdward Hoagland in his essay “On Stuttering,” describes the difficulties he faced in his life because of a stuttering problem. He shared the different ways he was able to cope with this issue and some of the scariest moments he faced because of his stuttering. As I read this essay I could relate to Hoagland …