"Shylock, The Villain". Anti Essays. 20 Oct. 2017

I believe that the essential element which makes any horror movie villain scary is the alien factor; the threat of something strange and unknown. For many, this is the epitome of evil (we explore this idea further in ). And when you couple this element of the unknown with something that can hurt you on a personal level, then you trigger a very primal fear response. This is the same kind of reaction which kept our ancestors alive in hunter-gatherer times. The idea that there is something "out there", a beast or another human tribe, that can kill you. Despite the fact that many grand super villain schemes to take over earth may be just as detrimental to you (and many other people), we are programmed to react to things on a personal level and horror movie villains are excellent at exploiting this human trait. Horror movie villains are also, as was pointed out in Wes Craven's , known for killing the more rotten and immoral characters first (as in "oh, man, you know that guys going to get it") as oppose to the most virtuous characters who display no predatory traits at all. This is often thought of as a morality message, yet you could view this as a food chain scenario. The immoral characters, who often act like complete asses, are towards the middle of the food chain. It's no surprise that they will get the attention of the higher, apex predator and get preyed on. This higher predator is, of course, the horror movie villain himself!

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Is Shylock a Villain or a Victim? - In this essay I will try to discover is Shylock a villain or a victim, in the William Shakespeare play “The Merchant of Venice” It is

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Is Shylock Shylock As A Victim Essay a Villain or a Victim? - In this essay I will try Shylock As A Victim Essay to discover is Shylock a villain or a victim, in the William Shakespeare play “The Merchant of Venice” It Shylock As A Victim Essay Shylock As A Victim Essay is

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One convincing villain from literature is Dostoevsky's Grand Inquisitor (), a man who is prepared to burn Jesus at the stake, but instead banishes him into unrecognized exile, knowing that banishment will prevent the sacrificial propitiation and reconciliation with God. This character knows what he is doing and why he is doing it: Church doctrine must be upheld at all costs, even if it means suppressing the knowledge of Jesus' return to the world. The best literature parallels real life. This is more or less what the Church was doing during the Inquisition. Dostoevsky merely compacted several characters and several hundred years of history into one event.

Mar 12, 2013 · Check out our top Free Essays on Favorite Villain to help you write your own Essay

The idea that someone has more power than others, and has the moral flexibility to use it against them, is a common characteristic of the villain paradigm. This is also the tactic most associated with the crime lord type villain. While this type of villain can and will stand on their own, they are often combined with other villain types such as the respectable villain or even, occasionally, a mad scientist type. I suspect that this is because the crime lord type only has power and moral flexibility on their side and fusing them with other villain attributes may be a way of giving them more of an intimidating edge. Then again, it could be that this type of villain is a little too real, and endowing them with fantastic attributes is a way of distancing people from their real life fears, thus keeping things safe and fictional (there's a psychological difference between "fun fear" and being really scared). You'll notice that this is the case with many villains. When portrayed in fiction, the more realistic the villain is, the less horrific there deeds will appear (most of the time). It can be argued that this is as much about political correctness as it is about keeping the audience safe from "real fear"; after all, to have a villain that would be seen as realistic, that villain would have to closely resemble someone the audience would recognize in real life.

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Only the sub-genre of originally human characters is subject to a legend-making process with suspect motives. Legend can easily turn villains into heroes or antiheroes. Consider Robin Hood, a thief who took from the rich only because the poor had nothing he wanted. He certainly didn't give away any of his illegitimate earnings! Rob Roy: thief and vagabond. Billy the Kid: murderer. Butch and Sundance: thieves and murderers. Caesar: demagogue and ruthless expansionist. Almost any character sanctified by legend is far removed from that person in reality. Conversely, those known to history as witches and evil-doers were often nothing more than midwives, practitioners of herbal lore, the old, the cranky, even unfortunates out of favor with their neighbors. Elves and genies, warlocks and gnomes are the residual manifestations of pagan pantheons.